The Lineup
- All Tiny Creatures (Madison, Wis.)
- Andrew Cedermark (Charlottesville, Va.)
- Annuals (Raleigh, N.C.)
- Apache Dropout (Bloomington, Ind.)
- Apple Juice Kid (Chapel Hill, N.C.)
- Bandway (Winston-Salem, N.C.)
- Barn Owl (San Francisco, Calif.)
- Bass Drum of Death (Oxford, Miss.)
- Beach Fossils (Brooklyn, N.Y.)
- Beans (Brooklyn, N.Y.)
- Bird Peterson (Austin, Texas)
- Black Lips (Atlanta, Ga.)
- Black Twig Pickers (Ironto, Va.)
- Bombadil (Durham, N.C.)
- Braids (Calgary, Alberta, Canada)
- Brain F≠ (Charlotte, N.C.)
- Budos Band (Staten Island, N.Y.)
- Bustello (Chapel Hill, N.C.)
- Caltrop (Chapel Hill, N.C.)
- Carlitta Durand (Durham, N.C.)
- Cassis Orange (Carrboro, N.C.)
- Charlie Smarts (New York, N.Y.)
- Cheyenne Marie Mize (Louisville, Ky.)
- Chip Robinson (Austin, Texas)
- Cold Cave (New York, N.Y.)
- Coliseum (Louisville, Ky.)
- D&D Sluggers (Wilmington, N.C.)
- D-Town Brass (Durham, N.C.)
- Dan Melchior Und Das Menace (Durham, N.C.)
- David Daniell (Chicago, Ill.)
- Dawn Golden and Rosy Cross (Chicago, Ill.)
- Des Ark (Philadelphia, Pa.)
- Diamond Rings (Toronto, Ontario, Canada)
- Dinosaur Feathers (Brooklyn, N.Y.)
- Disappears (Chicago, Ill.)
- DJ Thien (Raleigh, N.C.)
- Dreamers of the Ghetto (Bloomington, Ind.)
- Drive-By Truckers (Athens, Ga.)
- Duane Pitre Sextet (New Orleans, La.)
- Dustin Wong (Baltimore, Md.)
- Dylan Gilbert (Charlotte, N.C.)
- Earth (Seattle, Wash.)
- Embarrassing Fruits (Chapel Hill, N.C.)
- Empress Hotel (New Orleans, La.)
- Eric Carbonara & Jesse Sparhawk (Philadelphia, Pa.)
- Family Dynamics (Brooklyn, N.Y.)
- Fan Modine (Carrboro, N.C.)
- Fight the Big Bull (Richmond, Va.)
- Filthybird (Graham, N.C.)
- Ford & Lopatin (Brooklyn, N.Y.)
- Frank Fairfield (Los Angeles, Calif.)
- Frontier Ruckus (Detroit, Mich.)
- Future Islands (Baltimore, Md.)
- Gauntlet Hair (Lafayette, Colo.)
- Generationals (New Orleans, La.)
- Grandchildren (Philadelphia, Pa.)
- Gross Ghost (Carrboro, N.C.)
- Guided by Voices (Dayton, Ohio)
- Heads on Sticks (Raleigh, N.C.)
- Hog (Durham, N.C.)
- Horseback (Chapel Hill, N.C.)
- Hospitality (New York, N.Y.)
- Invisible Hand (Charlottesville, Va.)
- J Mascis (Amherst, Mass.)
- Jack the Radio (Raleigh, N.C.)
- Japandroids (Vancouver, British Columbia, Canada)
- JEFF The Brotherhood (Nashville, Tenn.)
- Jennyanykind (Chapel Hill, N.C.)
- John Vanderslice (San Francisco, Calif.)
- Jon Lindsay (Charlotte, N.C.)
- Julianna Barwick (Brooklyn, N.Y.)
- Justin Robinson and The Mary Annettes (Durham, N.C.)
- King Mez (Raleigh, N.C.)
- KORT (Nashville, Tenn.)
- Krallice (New York, N.Y.)
- L.E.G.A.C.Y. (Fayetteville, N.C.)
- Last Year’s Men (Chapel Hill, N.C.)
- Le Weekend (Chapel Hill, N.C.)
- Little Scream (Montreal, Quebec, Canada)
- Liturgy (Brooklyn, N.Y.)
- Lonnie Walker (Raleigh, N.C.)
- Lost in the Trees (Chapel Hill, N.C.)
- Lower Dens (Baltimore, Md.)
- Man Will Destroy Himself (Raleigh, N.C.)
- Man/Miracle (Oakland, Calif.)
- Mandolin Orange (Chapel Hill, N.C.)
- Mount Eerie (Anacortes, Wash.)
- Mount Moriah (Durham, N.C.)
- North Elementary (Chapel Hill, N.C.)
- Old Bricks (Carrboro, N.C.)
- Oneohtrix Point Never (Brooklyn, N.Y.)
- Onward, Soldiers (Wilmington, N.C.)
- Organos (Carrboro, N.C.)
- Oulipo (Raleigh, N.C.)
- Oxbow (San Francisco, Calif.)
- PC Worship (Brooklyn, N.Y.)
- Pepper Rabbit (Los Angeles, Calif.)
- Peter Lamb and The Wolves (Raleigh, N.C.)
- Prurient (New York, N.Y.)
- Reading Rainbow (Philadelphia, Pa.)
- Rhys Chatham (Paris, France)
- Royal Bangs (Knoxville, Tenn.)
- Royal Baths (San Francisco, Calif.)
- Shit Horse (Chapel Hill, N.C.)
- Sir Richard Bishop (Oakland, Calif.)
- Slasher Risk (Brooklyn, N.Y.)
- Soft Company (Carrboro, N.C.)
- SPCL GST (Raleigh, N.C.)
- Spider Bags (Chapel Hill, N.C.)
- Steve Gunn (Brooklyn, N.Y.)
- Super Vacations (Norfolk, Va.)
- Superchunk (Chapel Hill, N.C.)
- Swans (New York, N.Y.)
- Temperance League (Charlotte, N.C.)
- Tender Fruit (Carrboro, N.C.)
- The Body (Providence, R.I.)
- The Caribbean (Washington, D.C.)
- The Dodos (San Francisco, Calif.)
- The Flaming Lips (Oklahoma City, Okla.)
- The Foreign Exchange (Raleigh/ Wilmington, N.C.)
- The Hairs (New York, N.Y.)
- The Loners (Raleigh, N.C.)
- The Love Language (Raleigh, N.C.)
- The Men (Brooklyn, N.Y.)
- The Moderate (Washington, D.C.)
- The Necks (Sydney, Australia)
- The Old Ceremony (Durham, N.C.)
- The Prayers and Tears (Chapel Hill, N.C.)
- The Strugglers/ Brice Randall Bickford (Washington, D.C.)
- The Tomahawks (Chapel Hill, N.C.)
- Times New Viking (Columbus, Ohio)
- Titus Andronicus (Glen Rock, N.J.)
- Toro Y Moi (Columbia, S.C.)
- Twelve Thousand Armies (Carrboro, N.C.)
- Twin Shadow (Brooklyn, N.Y.)
- Unknown Mortal Orchestra (Portland, Ore.)
- Vivian Girls (New York, N.Y.)
- Weekend (San Francisco, Calif.)
- Wembley (Hillsborough, N.C.)
- Wesley Wolfe (Carrboro, N.C.)
- Whatever Brains (Raleigh, N.C.)
- White Ring (New York, N.Y.)
- William Tyler (Nashville, Tenn.)
- Wooden Wand (Lexington, Ky.)
- Woodsman (Denver, Colo.)
- Xiu Xiu (Durham, N.C.)
- XRay Eyeballs (New York, N.Y.)
- Yair Yona (Tel Aviv, Israel)
- Yardwork (Charlotte, N.C.)
- Yelawolf (Gadsden, Ala.)
- 9th Wonder (Durham, NC)
- Active Child (Los Angeles, CA)
- Actual Proof (Charlotte, NC)
- Akron/Family (Portland, OR)
- All Tiny Creatures (Madison, WI)
- American Aquarium (Raleigh, NC)
- Americans in France (Chapel Hill, NC)
- Aminal (Chapel Hill, NC)
- Aquarelle (Minneapolis, MN)
- Atlas Sound (Atlanta, GA)
- Balmorhea (Austin, TX)
- Bear in Heaven (Brooklyn, NY)
- Bellafea (Chapel Hill, NC)
- Ben Frost (Reykjavik, Iceland)
- Best Coast (Los Angeles, CA)
- Big Remo (Raleigh, NC)
- Birds of Avalon (Raleigh, NC)
- Black Congo NC (Charlotte, NC)
- Bowerbirds (Raleigh, NC)
- Bright Young Things (Raleigh, NC)
- Broken Social Scene (Toronto, Ontario)
- Burning Star Core (Cincinnati, OH)
- Caitlin Cary’s Small Ponds w/ Tres Chicas (Raleigh, NC)
- Cannabis Corpse (Richmond, VA)
- Collections of Colonies of Bees (Madison, WI)
- Cults (New York, NY)
- Deakin (Baltimore, MD)
- Dex Romweber Duo (Chapel Hill, NC)
- Direct Control (Richmond, VA)
- DJ George Brazil (Charlotte, NC)
- Double Dagger (Baltimore, MD)
- Double Negative (Raleigh, NC)
- Dungen (Vastergotland, SWE)
- Dynamite Brothers (Chapel Hill, NC)
- EAR PWR (Asheville, NC)
- Erin McKeown (Fredericksburg, MD)
- First Rate People (Toronto, Ontario )
- Floating Action (Asheville, NC)
- Followed by Static (Austin, TX)
- Fucked Up (Toronto, Ontario)
- Future Islands-old (Baltimore, MD)
- Goner (Raleigh, NC)
- Gray Young (Raleigh, NC)
- Greg Davis (Burlington, VT)
- Hammer No More The Fingers (Durham, NC)
- Harlem (Austin, TX)
- Harvey Milk (Athens, GA)
- Horseback (Chapel Hill, NC)
- I Was Totally Destroying It (Chapel Hill, NC)
- In the Year of the Pig (Chapel Hill, NC)
- Javelin (New York, NY)
- Jeb Bishop Trio (Chicago, IL)
- John Howie & The Rosewood Bluff (Chapel Hill, NC)
- Jon Mueller (Milwaukee, WI)
- Juan Huevos (Chapel Hill, NC)
- Kaze (Durham, NC)
- Keith Fullerton Whitman (Somerville, MA)
- Kill the Noise (West Hollywood, CA)
- Kingsbury Manx (Chapel Hill, NC)
- Kooley High (Raleigh, NC)
- Kylesa (Savannah, GA)
- Light Pines (Raleigh, NC)
- Locrian (Chicago, Il.)
- Lonnie Walker (Raleigh, NC)
- Lucero (Memphis, TN)
- Luego (Durham, NC)
- Marissa Nadler (Boston, MA)
- Max Indian (Carrboro, NC)
- Megafaun (Durham, NC)
- Merlin (Raleigh, NC)
- Midtown Dickens (Durham, NC)
- Monologue Bombs (Raleigh, NC)
- Motor Skills (Chapel Hill/ Raleigh, NC)
- Mountains (Brooklyn, NY)
- No Age (Los Angeles, CA)
- No Tomorrow (Wilmington, N.C.)
- NOMO (Ann Arbor, MI)
- Ocean (Portland, ME)
- Old Bricks -old (Carrboro, NC)
- Panda Bear (Lisbon, Portugal)
- Pattern is Movement (Philadelphia, PA)
- Pictureplane (Denver, CO)
- Plague (Raleigh, NC)
- Ponderosa (Atlanta, Ga)
- Pontiak (Virginia Hills, VA)
- Public Enemy (Long Island, NY)
- Raekwon (New York, NY)
- Rapsody (Raleigh, NC)
- Richard Buckner (Brooklyn, NY)
- Ryan Gustafson (Durham, NC)
- Sami Automatic (Raleigh, NC)
- Schooner (Carrboro, NC)
- Sharon Van Etten (Brooklyn, NY)
- Sightings (Brooklyn, NY)
- Skyzoo (Brooklyn, NY)
- Sleepy Sun (San Francisco, CA)
- Spclgst-old (Raleigh, NC)
- Spider Bags (Carrboro, NC)
- The Alpha Theory (Charlotte, NC)
- The Exmonkeys (Raleigh, NC)
- The Golden Boys (Austin, TX)
- The Golden Filter (New York, NY)
- The Love Language - Old (Chapel Hill, NC)
- The Moaners (Chapel Hill, NC)
- The Remix Project (Chapel Hill, NC)
- The Rosebuds (Raleigh, NC)
- The War on Drugs (Philadelphia, PA)
- Thee Tom Hardy (Durham, NC)
- Thien- Old (Raleigh, NC)
- Tigercity (Brooklyn, NY)
- Tortoise (Chicago, IL)
- Treasure Fingers (Brooklyn, NY)
- Tyler Woods (Raleigh, NC)
- US Christmas (Marion, NC)
Under the name Old Bricks, Carrboro songwriter Stuart Edwards and Raleigh guitarist Andy Holmes have made music for just more than a year. But if the mix of fragile sway, survivalist spirit and thoughtful textures on their self-released debut LP, Farmers, sounds much too developed and assured for such a new duo, a confession is in order: Holmes and Edwards grew up together in Rocky Mount, N.C. They grew to know each other after Edwards moved to Nashville, Tenn., to study music, when they’d stay up late talking about bands and songs by phone before realizing they simply needed to make music together. Holmes moved to Nashville, and then they both moved back to North Carolina. And, as if by magic, the Triangle has a new great group of rookies with boundless potential.
If only the story was that easy: In Tennessee, friends died and friends fought. A band they’d invested themselves in crept into stagnation. Before returning east, the two were homeless for a spell. They made it, though, and that process of problems and perseverance seems to have given Old Bricks the spirit to emerge almost fully formed. Farmers, after all, is a stunning entrance that suggests an even-tempered Bright Eyes sitting around Campfire Songs. “Every lost ship is headed someplace/ As long as the wind blows,” Edwards sings on the perfect eight-minute creeper “Children,” his voice damaged but determined to keep moving.
Indeed, though, Holmes and Edwards have seen the worst sides of artistic stalemates, and, no matter how much praise this or any critic has heaped upon them, they’re not sitting still. They’ve expanded Old Bricks to an occasional four-piece and their range to be both more aggressive and more rhythmic. From everything they’ve unveiled live of late, this ship is certainly one to chart. —Grayson Currin


