Hopscotch 2012 Lineup Announced
Submitted on Apr 17, 2012
Excerpts taken from press release:
The Independent Weekly proudly announces its third annual Hopscotch, North Carolina’s largest and most diverse music festival that has, once again, gotten just a touch grander. Scheduled for Sept. 6–8, 2012, in downtown Raleigh, with 175 bands in 15 venues, Hopscotch has grown to offer fans more local, national and international choices in just about every genre imaginable—from classic indie rock and emerging hip-hop to experimental heavy metal and gospel-blues orchestras. This year, three new venues—the majestic Memorial Auditorium, Raleigh’s beautiful Contemporary Art Museum and the historic Long View Center—add another exciting dimension to the festival and its lineup.
Hopscotch will be highlighted by two nights in Raleigh City Plaza, the city’s most captivating downtown space. On Friday, Sept. 7, two rock legends, The Jesus and Mary Chain and Built to Spill, will be joined by dynamic opener Zammuto. And on Saturday, Sept. 8, possibly the best live crew not only in hip-hop but all of music, The Roots, headline with New York disco force Escort and local soul project Shirlette and the Dynamite Brothers supporting. Roughly 165 other bands perform in 14 clubs during the festival’s three days. A sampling of these acts includes: Yo La Tengo, Liars, Sunn O))), Danny Brown, Thee Oh Sees, Baroness, Death Grips, Deerhoof, Damien Jurado, Flosstradamus, Zola Jesus, Laurel Halo, Pallbearer, Young Magic, Lambchop, Cities Aviv, Oneida, Wye Oak, Samantha Crain, Glenn Jones, The Spits and Colin Stetson.
As in previous years, a selection of the Triangle's finest talent will accompany this strong mix of national and international guests. Some locals representing the depth of the area’s rich music scene include special engagements by The Mountain Goats and Megafaun, plus Corrosion of Conformity, Valient Thorr, Midtown Dickens, Heads on Sticks, Gross Ghost, Black Skies and Whatever Brains. While the festival has grown, its commitment to community—the fans and bands upon which the local music scene is built—remains.
“We’ve added three larger rooms, but we’ve also kept the walkable downtown footprint,” says Hopscotch founder and director Greg Lowenhagen. “It should still feel like Hopscotch weekend here in Raleigh. The festival just features more national names mixed in with local favorites.”
These new rooms don’t only allow for more bands; they’ve also allowed Hopscotch to expand the range of sounds and talent that can be offered. In the Long View Center, for instance, local folk-rock heroes Megafaun will pair with old collaborator and minimalist legend Arnold Dreyblatt for updates on old pieces and the world premiere of a new one. In Memorial Auditorium, Sunn O)))—one of the heaviest acts on the planet—will be able to fill a rightfully enormous space with their unspeakably enormous sound.
“The programming at Hopscotch continues to be about projects that we find interesting, about music and ideas that will excite and inspire an ever-wider array of fans come September,” says Hopscotch co-director Grayson Currin. “The new rooms have simply allowed us to do more of that—to take more risks, to commission bigger productions and to think a lot about putting these artists we love so much in spaces that seem most appropriate.”
To learn more about the entire lineup click here.
For the first time, Hopscotch 3-day wristbands went on sale in December, prior to the lineup announcement. With only 200 VIP wristbands remaining, the reaction has been overwhelming.
Admission to Hopscotch is designed to suit a wide range of fans. The remaining $165 VIP wristbands and the festival’s most popular option, the $110 All-Show wristbands, are on sale now. Each of these wristbands allows entry into all 14 festival clubs and both City Plaza headlining shows.
In July, along with the release of the 2012 festival schedule, 1-day passes will be available for the first time. These passes will allow entry into every Hopscotch show on a specific day and will range from $55–$75.
Individual tickets for the shows in Raleigh City Plaza will also become available in July. The Friday, Sept. 7, show featuring The Jesus and Mary Chain, Built to Spill, and Zammuto costs $34. The Saturday, Sept. 8, show featuring The Roots, Escort, and Shirlette and The Dynamite Brothers also costs $34. This year, based on 3-day wristband sales, a very limited number of 1-day passes and individual City Plaza tickets are expected to be available.
In cooperation with sponsor Etix, based in nearby Morrisville, Hopscotch Music Festival is offering wristbands and tickets to all fans with reduced service charges. To purchase tickets and wristbands, visit http://hopscotchmusicfest.com/tickets/.
SPECIAL HOPSCOTCH FEATURES
EXCLUSIVE BOOKINGS: There’s a lot happening at this year’s Hopscotch that you won’t see anywhere else. The Mountain Goats, for instance, will play a solo set in Fletcher Opera Theater—first, a set of rarities on acoustic guitar, followed by John Darnielle’s first-ever all-covers set, featuring heavy metal numbers played on piano. German composer Arnold Dreyblatt and North Carolina folk-benders Megafaun toured together years ago, but they’ll reunite in Raleigh to premiere a new work. New York guitarist Ben Greenberg, who performs as Hubble, will offer the world premiere of a piece called Lag, in which he uses the Internet as a delay pedal. Hopscotch presents a one-time performance of the incredible forthcoming record by Richmond songwriter Matthew E. White, complete with horns and strings and a full choir. Pop teasers Deerhoof based a tour around Hopscotch, as have California noise lords Sutekh Hexen. Sunn O))) hasn’t played North America sine 2010, and Cheater Slicks haven’t performed in Raleigh since 1993. That’s just the start, really.
IMPROVISER IN RESIDENCE: From Björk to Jim O’Rourke and from Death Unit to Jandek, the impressively inclusive drummer Chris Corsano boasts an incredible résumé of collaborators. For the first time, Hopscotch will host an Improviser in Residence for the length of the festival with the aim that he’ll not only play his own set but he’ll also jump in on other bands’ sets throughout Hopscotch. This will make several more performances at Hopscotch 2012 once-in-a-lifetime experiences. Keep an eye out for the guy who treats the drum kit like few you’ve ever seen.
INTERNATIONAL ARTISTS: This year’s Hopscotch certainly ups the ante on talent from abroad: Polish producer and composer Jacaszek heads to Raleigh with special funding from his country, while Berlin composer Arnold Dreyblatt flies to Raleigh to perform with Megafaun. Oren Ambarchi visits from Australia, while stunning singer-songwriter Mirel Wagner is an Ethiopian emigrant living in Finland. The Weather Station visits from Canada, while Altar of Plagues arrives from Ireland. For the first time ever, one of Hopscotch’s headliners is European—Scotland’s The Jesus and Mary Chain.
BAND-CURATED BILL: This year, Hopscotch again asked one of its favorite local bands, Raleigh’s Whatever Brains, to curate its own show, and again, they built a five-act bill. Fabled garage miscreants The Spits will fly from Seattle to headline the show at Slim’s Saturday, Sept. 8. Whatever Brains join the bill, supported by an undercard bound to blow the doors off of the 100-capacity club: Winston-Salem’s Burglar Fucker, Detroit’s Frustrations and Charlotte’s Joint D≠.
MORE TO COME: In the next several weeks, Hopscotch will announce the return of its highly successful Edward McKay Used Books & More Cultural Series, at Raleigh City Museum. During the last three years, the three-day set of discussions has included Public Enemy’s Chuck D, The Flaming Lips’ Wayne Coyne, The Foreign Exchange’s Phonte Coleman, composer Rhys Chatham, Xiu Xiu’s Jamie Stewart, Broken Social Scene’s Andrew Whitehead and many more, plus performances by Arborea, Phil Cook of Megafaun and Chris Stamey of the dB’s.
As always, thank you for your support and see you in September!