MAKE have been haunting the central NC music scene since 2008, when Scott Endres and Spencer Lee began collaborating on thematic psychedelic noise-sludge. Drawing on themes of isolation, loss, hope, absurdism, and cataclysm, what started as a space-doom project has since evolved into something far more varied and expressive. During that time the band has been a signficant presence in the North Carolina music scene, performing on diverse lineups from Bull City Metal Fest to Hopscotch Music Festival, and touring with acts ranging from Crowhurst (Philadelphia harsh noise) to Dragged into Sunlight and Primitive Man. In 2016, MAKE joined forces with Accident Prone Records for the release of "Pilgrimage of Loathing," and are thrilled to continue that collaboration with, "Exegesis at the End of Time".
MAKE's fourth LP sees the band welcoming John Crouch and Aaron Smiithers as co-conspirators, making them a four-piece for the first time since their first EP (2010) and expanding the band's cacophonous palate. On this album, the band have combined a diversity of influences in building both the music and the concept for the record. Droning repetition, angular noise rock, and massive sludge riffs combine to underpin literary themes spanning Pynchon and DeBord to Borges and McCarthy, forging a warning: The order that rules our world represents a cosmiic violence that will destroy us if we don't conquer it.
